Music in honour of the Blessed Virgin from the mediaeval convents of Fontevraud and Las Huelgas. The Cantors and Choir of the Schola Gregoriana of Cambridge with the Bristol University Schola Cantorum
Jeremy White – Director
Philip Duffy – Associate Director
Dr Emma Hornby – Director of Bristol University Schola Cantorum
Dr Mary Remnant – Instrumentalist
Prof Alison Wray – Language Coach
Standing in one of Europe’s medieval churches, one often wonders what music sounded and resounded here, seven, eight, nine centuries ago, or even earlier. Gregorian chant, in one of its many local forms, could be the simple answer. But a number of exceptional manuscripts have survived, which show how in some places, alongside the universal practice, special chants and polyphonic pieces might heighten the solemnity of the great festival days of the church year. Two of these manuscripts have inspired our programme, music books from two of the most remarkable churches of medieval Europe, Fontevraud just south of the Loire between Tours and Angers in northwest France and Las Huelgas near Burgos in northern Spain.
Remarkable churches indeed. Fontevraud was founded in the early twelfth century by the inspiring preacher Robert d’Arbrissel, winning the support of the Plantagenet family, who were then approaching the zenith of their power in France and England. Robert founded a group of five religious communities all in the one place, each with its own church or chapel, cloisters and living quarters: nuns following the Benedictine rule and devoted to prayer and praise; monks also observing a religious rule but with the duty of working for the well-being of their sisters; and houses respectively for fallen women who had repented, for lepers, and for aged sisters.
Robert appointed Petronilla of Chemillé to succeed him with authority over the whole complex. Thereafter Fontevraud was always ruled by an abbess, who appointed a prior for the monks. Fontevraud was eventually mother house of well over a hundred priories in France, England and Spain.
Track | Duration | Title | Composer |
---|---|---|---|
1 | 03:55 | Cohors leta: Benedicamus trope | Chant |
2 | 04:20 | Ab arce siderea: Sequence | Chant |
3 | 02:27 | Virgines egregie: Sequence | Chant |
4 | 07:52 | Rex virginum amator: Kyrie | Chant |
5 | 02:08 | Parit preter morem: Conductus, | |
6 | 12:06 | Boen crestien/Lectio libri Sapientiae: Epistle | Chant |
7 | 05:11 | Propter veritatem/O Maria: Gradual | Chant |
8 | 01:53 | Ecce adest: Alleluia | Chant |
9 | 02:06 | Nigra sum: Alleluia | Chant |
10 | 02:58 | Maria Virgo virginum: Sequence | Chant |
11 | 04:28 | Quae est ista: Responsory | Chant |
12 | 05:05 | Resonant interna | Chant |
13 | 03:25 | Recordare/Ab hac familia: Offertory | Richard Rodney Bennett |
14 | 02:36 | Gloriosa spes reorum: Agnus Dei | Chant |
15 | 02:47 | Clemens et benigna: Sequence | Chant |
16 | 02:30 | Castrum pudicicie: Benedicamus | Chant |
17 | 01:09 | O Maria mater: Benedicamus trope | Chant |
18 | 03:18 | Hark ! The herald angels sing | Medelssohn Desc. Willcocks |
19 | 06:50 | Carillon de Westminster | Louis Vierne |